Alongside the exhibition At the Edge of Reason, a spatial intervention titled SPEKTER_FLUX will take place, bringing together contemporary experimental audiovisual practices.
Igor Stanglitcky, Boštjan Čadež, and Marko Batista: TIME_FLUX
The collaboration between the three artists represents an encounter of distinct yet complementary approaches to audiovisual creation. Their artistic research unfolds at the intersection of sound, image, space, and technology, where the creative process itself becomes a tool for exploring the relationships between human and machine, control and unpredictability, physical reality and its digital reflections. In this joint project, their practices merge into a dynamic, fluid composition in which each element functions as a frequency within a broader spectrum of perception. Sound becomes light, space becomes an instrument, and technology transforms into a living structure. The result is an intense sensory experience that transcends the classical divide between the visual and the sonic, opening a field for new perceptions of time, movement, and awareness.
300,000 V.K. — TITAN: Magnetar
The collective 300,000 V.K. presents TITAN: Magnetar, a sonic reconstruction and conceptual deconstruction of their legendary 2005 album Titan. The project continues the original idea of the collective—founded in 1982 as an experimental offshoot of Laibach Kunst’s music section and defined in its founding manifesto as a retrospective, futuristic negative utopia. In its new iteration, TITAN: Magnetar transforms sonic matter into a denser, magnetic field of time and memory, where history, technology, and negative utopia once again converge in an intense audiovisual reconstruction.
